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        Friedrich II and the Love of Geometry |  
       
     
    Heinz Götze
  
    Springer Verlag, Heidelberg, Germany
     The Castel del Monte was built in the northern
    part of Apulia by the Holy Roman Emperor Friedrich II of Hohenstaufen
    in the last decade of his life. Its form is unique--an eight-sided
    central structure with octagonal towers at each corner. The planimetric
    aerial photo shows that the tangents of the octagon
    forming the inner courtyard intersect at the centers of the octagonal
    corner towers: they form an eight-pointed star whose tips lie
    at the centers of the towers. Eight-pointed stars may also be
    drawn around the corner towers. The close geometric connections
    between the 8 stars thus created provide evidence that the size
    of the towers was not chosen arbitrarily, but follows a precise
    geometrical system. The geometric design of Castel del Monte
    is an example of a configuration with an inner aesthetic. The
    repetition of the basic 8-pointed star can be continued and,
    as Max Koecher observed, results in a fractal with infinite iteration
    possibilities. 
    The two-dimensional layout of Castel del Monte can be identified
    as a symmetry group with 16 elements: 8 reflection planes and
    8 rotations planes. The multiplicity of symmetries is expanded
    by homotheties among the large octagon of the main building,
    the octagon of the inner courtyard, and the eight octagonal towers
    placed in the same system of axes. The architect of the Castel
    del Monte was clearly aware of the aesthetic importance of symmetries,
    and used them to achieve the impressive appearance of the castle. 
    There are no written records concerning the history of the
    design of the castle, and we do not know who the architects were,
    but we may depend on the geometric configuration and its inner
    aesthetic to learn something about its creation. Navigational
    charts and wind stars provide an important clue. One such chart
    is the Carta Pisana, drawn at the end
    of the thirteenth century. an interesting depiction of an octagonal
    compass that exactly matches the shape of the layout of the Castel
    del Monte. A mosaic of similar form in the Alhambra exhibits
    an additional step in the development of the 8-pointed star figure. 
    Thus, Castel del Monte, with its extraordinary aesthetic radiance,
    stands at the crossroads of the Arabic-geometric and Middle-European-Gothic
    worlds, and represents the ruling spirit of one of the most important
    emperors of the middle ages. 
    
      
        
         The correct citation for
        this paper is: Heinz
        Götze, "Friedrich II and the Love of Geometry",
        pp. 67-79 in Nexus: Architecture and Mathematics, ed.
        Kim Williams, Fucecchio (Florence): Edizioni dell'Erba, 1996.
        http://www.nexusjournal.com/conferences/N1996-Gotze.html | 
       
     
    
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